Juliet of the spirits12/13/2022 ![]() ![]() ![]() ![]() In his early career, Fellini was both a screenwriter for neorealist pioneer Roberto Rossellini and a newspaper caricaturist in postwar Rome, competing influences he would bring together with startling results. While his most popular-and accessible-film, the darkly nostalgic childhood memoir Amarcord, is a great entryway into his oeuvre, 8½, a collage of memories, dreams, and fantasies about a director’s artistic crisis, is perhaps his masterpiece. “It could lay justifiable claim to being Fellini’s best.One of Italy’s great modern directors, Federico Fellini was a larger-than-life maestro who created an inimitable cinematic style combining surreal carnival with incisive social critique. “A classic of fantasy, theatricality, and sensuality.” Peter Bradshaw, The Guardian “I’ve always wanted to do an extrasensorial tale, born entirely of the imagination. Federico Fellini first feature in colour won a Golden Globe for its gorgeous depiction of a betrayed housewife’s self-discovery through fantasy. It seems that, if 8 was Fellini’s announcement to the world that he was aware of his shortcomings and charging forward as a creative force, then he certainly lived up to the promise with his next film Juliet of the Spirits. Witness to her marriage falling apart due to her husbands infidelities, the timid, bourgeois Giulietta Boldrini (Masina). “The cinema is the unique and perfect tool to explore with precision the inner landscapes of the human being,” Fellini said of his intentions. Fellini’s first colour feature is a sensory experience that blends fantasy and reality in rich, evocative ways, following a woman’s self-discovery through stunning visions. Fellini’s chic, hallucinatory feast-for-the-eyes abounds in ravishing colours and spectacular sets and costumes. Its the story of Giulietta (Giulietta), the spouse of a wealthy socialite who is forced to come to terms with her fleeting youth and her husbands infidelity. Like Guido in 8½, Juliet escapes from an unpleasant external reality - here, the discovery of her husband’s infidelity - by withdrawing into a rich interior world of memories, fears, and dreams. Directed by Federico Fellini, Juliet of the Spirits is a 1965 Italian-French fantasy comedy-drama film starring Giulietta Masina, Sandra Milo, Valentina Cortese. Often described as the feminine version of 8½, the film stars Giulietta Masina as titular Juliet, well-off but lonely wife of neglectful husband Giorgio (Mario Pisu). A delightful, visually inventive fantasy, Federico Fellinis JULIET OF THE SPIRITS is about a bored Italian housewife (Giulietta Masina, Fellinis real-life. Like many husbands, he gave her the gift he really wanted for himself. According to IMDb, Fellini claimed to have taken LSD when making this movie. “The tumultuous succession of strange and beautiful images binds us in a spell as mysterious as that of a poem or a concerto.” Pierre Leprohon, The Italian Cinemaįellini the Fantasist shifts into stylistic overdrive in the eye-popping Juliet of the Spirits, the maestro’s follow-up to the fabulous 8½, and his first feature in colour. Fellini lore has it that the master made Juliet of the Spirits as a gift for his wife. Juliet of the Spirits actually has very few 'normal' moments, as it has a lot of the supernatural, weird imagery and symbolism starting about 10 minutes into the movie. ![]()
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